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Ever since Saved by the Bell bestowed upon Zack Morris a cellphone the size of a dumbbell, TV has been scrambling to keep up with young people’s tech habits. Clarissa Explains It All had DIY video games. Gossip Girl was the name of a blog as well as its author’s alias. Emily in Paris chronicles the birth of an influencer, regularly splashing Emily’s Instagram posts and growing follower count across the screen. When teens and 20-somethings became the earliest adopters of Snapchat and then TikTok, titles aimed at those demographics had to embrace them or risk being written off as irrelevant by a generation that is more inclined to watch YouTube anyway. 

But what if young people immersed—so early in their lives, they can’t meaningfully consent—in a digital realm that stunts their growth outside it were no longer clamoring to see the constant barrage of text messages, push notifications, and social video they know so well represented on TV? What if, for a cohort whose approval of AI keeps declining and that made dumbphones cool again, the ultimate in escapist entertainment would be a show where tech was relegated to the margins, supplanted by face-to-face human connection in the natural world? In that case, the refreshingly old-school Prime Video teen drama Sterling Point might really hit the spot for Gen Z and their nostalgic elders.

Premiering with all eight episodes on Aug. 5, the series has a tremendously appealing protagonist in Ella Rubin, who played Anne Hathaway’s daughter in The Idea of You and looks like she could be the result of splicing Hathaway’s and Julia Roberts’ genes to engineer the ideal rom-com star. Rubin’s Annie is an independent, hyperconnected, Type A New York City teen, all big ambitions and nervous energy, though her kindness prevents her from being a stereotype. Her first words when the automated curtains on her bay window part in the morning are: “Sound machine off!” She eats breakfast in front of a laptop flanked by her phone and tablet. But her neo-yuppie fantasy is punctured when she’s rejected from a business-school summer program. Now, the months leading up to her senior year of high school stretch out empty before Annie. Her maddeningly unserious twin brother, Connor (Keen Ruffalo), is jaunting off to Europe with his girlfriend du jour. Her single dad, Steven (Jay Duplass), seems kind of checked out. And she’s well aware that her longtime boyfriend (Luke Avoledo) is closeted, which is probably why he doesn’t seem so excited at the prospect of her tagging along on his summer trip to Thailand. She’s just considerate enough to let him come out to her in his own time.

Annie gets a jolt in a new direction following the death of a grandparent she never met—Gordon, the father of her mom, who passed away when the twins were toddlers. Despite his estrangement from their family (according to Steven, he was a jerk), Gordon has left his grandchildren the island he owned in Canada’s beautiful Muskoka region, Sterling Point. A note enclosed with the will suggests that there are things Steven has been hiding from his children. So, self-sufficient Annie flies up to Ontario without telling her dad where she’s really going. A cascade of mysteries, revelations, and firsts, experienced under evergreen canopies and out on the rippling open water, her summer at Sterling Point changes her life.

Plenty of classic teen-drama tropes come into play. Not only does Annie get caught in a love triangle, but her two suitors each represent opposing factions of the community: townies and summer people. Ellis (Jacob Whiteduck-Lavoie) is a hard-working, year-round resident, and Rory (Daniel Quinn Toye) a rich New York acquaintance whose family has a luxurious vacation home nearby. As also tends to be the case in stories aimed at teens, the young characters are remarkably autonomous. But creator and co-showrunner Megan Park, whose films The Fallout and My Old Ass displayed deep insight into the inner lives of young women, isn’t mindlessly mimicking the mini-adults of Euphoria and Gossip Girl. (Sterling Point shares co-showrunners with the latter series, in Josh Schwartz and Stephanie Savage, which goes to show how conscious a choice its divergence from its millennial predecessors must be.) Like Annie, most of these characters have been forced by their parents to fend for themselves, emotionally if not quite literally. One of the most charming performances in a show that has many of them comes from Bo Bragason as Oona, a bubbly lesbian flirt whose mom has jetted off to India, leaving her in charge of her little sister (Mabel Strachan) and their houseboat.

Park takes her time bringing the parents’ generation into the frame, gradually revealing how many shocking secrets they’ve kept from their children. Some storylines can be soapy. The dialogue is occasionally stilted. Yet richly developed characters keep clichés from lingering. As in My Old Ass, the regrets of adults who erred mightily in their youth are poignantly contrasted with the brashness of teens who don’t know what they don’t know. There’s patience and, for all its jarring disclosures, gentleness in the way this story unfolds that are rare to see these days, not just in teen TV, but in any twist-happy streaming drama. 

Sterling Point isn’t anachronistic or retrograde. Smartphones exist in its world, though they don’t often get service on the island. Queerness is no big deal. Rather, the show is a throwback in the sense that the characters spend most of their time just hanging out together, on a boat or at an outdoor movie screening, the way teenagers used to before their summers filled up with precollege programs, internships, schemes to become TikTok famous, etc. Romance happens through eye contact and heart-to-heart conversations; friends cry in each other’s arms. There are hints of Gilmore Girls in the show’s quaint setting and generational role reversal, traces of Dawson’s Creek in its adolescent earnestness. As Ellis tells Annie when she frets about having to break the habit of checking her phone in bed: “Once you get used to it, it’s kinda the best.”

You’ve probably heard that getting some morning light can help you feel more awake during the day and sleep better at night—from your doctor, your sleep app, and roughly 900 podcasts. But you might not realize just how much it matters. “Morning light is arguably more important than your coffee,” says Mariana Figueiro, director of the Light and Health Research Center at the Icahn School of Medicine at Mount Sinai. 

Morning light shifts the body clock earlier, which can make it easier to feel sleepy at night and alert when it’s time to wake up. In a study of more than 400,000 adults, people who spent more time in outdoor light during the day reported fewer insomnia symptoms, less tiredness, and an easier time getting up in the morning.

What you may not have heard is exactly how to get it: where to position yourself, how early in the morning to start basking, and how long to take in the rays. Without that knowledge, the advice to “get more morning light” is surprisingly hard to put into practice.

Here’s what researchers say about how to get the right dose of morning light. 

How morning light helps you wake up—and sleep at night

The amount of light reaching your eyes is measured in lux, and by that measure, most morning routines happen in near-darkness. A dimly lit bedroom might clock in at 30 to 40 lux. A brightly lit kitchen might reach 500. Step outside on an overcast morning, and you're standing in 5,000 to 10,000. "You're looking at orders of magnitude more light when you're outside," says Jamie Zeitzer, a circadian physiologist and professor of psychiatry and behavioral sciences at Stanford University.

Sitting directly beside a window and looking out might expose you to around 1,000 lux. That's a fraction of what's available outdoors, but, as Zeitzer puts it, "even by a window, it's much brighter than what you're going to get from most interior lighting sources."

Light can have an immediate effect, too. It’s “an alerting stimulus to the brain,” Figueiro says, which can help you feel more awake in the moment.

Its longer term effect comes down to a small structure in the brain called the suprachiasmatic nucleus, which serves as the body’s central circadian clock. When light reaches the retina, it sends a signal directly to that clock—and early in the morning, the signal helps nudge it forward. It needs that nudge: The average human clock runs about 24 hours and 11 minutes, which means it would naturally drift a little later each day without light and other signals keeping it synchronized with the outside world.

A well-synced clock does more than govern sleep. Its real job, Zeitzer says, "is allowing your body to anticipate things as opposed to responding to them"—preparing you to wake up, eat, exercise, and wind down instead of scrambling to adjust after the fact. Without that anticipation, your body still functions, of course; just a little less efficiently. "It's not like if you didn't have a clock, you drop dead," he says. "But it's all less well optimized."

Many people aren’t giving their clocks much natural light to work with. We tend to overestimate how much time we spend outside, Zeitzer says; for many of us, outdoor exposure amounts to little more than walking to and from the car.

How to get enough morning light

Try to get light within an hour of waking. “You want to have it as soon as you get up,” Figueiro says. What matters is how soon you get it after waking, not the particular time on the clock.

Going outside is best. But if you’re sitting near a window, position yourself close to the window and face it, rather than having it be beside or behind you. “You want to get it at the back of the eye, not at the back of the head,” Figueiro says. Light levels drop quickly as you move away from the glass: You might get around 1,000 lux right beside a window, compared with only a few hundred lux from several yards away. If you work from home, simply turning your desk toward the window can make a meaningful difference.

How long should you stay there? There’s no magic number, but both researchers agree that longer is better. Figueiro recommends at least 30 minutes and ideally an hour. Zeitzer considers 15 minutes a practical minimum. “Technically, with 5 minutes you can get a good effect, but that’s in a lab, and it’s probably not in the field,” he says. 

If you want one simple target, aim for 30 minutes of morning light, Figueiro says. Sitting beside a window counts, but going for a half-hour walk after daybreak is even better. “That’s ideal,” she says. “You get your exercise, you get your light, you’re all set for the day.” And wear sunscreen as usual: It won’t blunt the circadian effect, which is driven by light reaching cells in the retina rather than the skin.

Try to get that light at roughly the same time every morning. “Your clock likes that regularity,” Figueiro says. She also leaves her sunglasses off during her morning commute when the light is comfortable, allowing her to take advantage of that exposure.

Give the habit some time to work. Your body clock will begin adjusting within a few days, Zeitzer says, but it might take a few weeks before you notice a difference in your sleep.

How to get morning light when the sun isn’t up

What if you wake up at 5 a.m., work in a windowless office, or look out at what Zeitzer describes as “a brick wall 15 feet across an alley”? You’ll need to create more light indoors.

The easiest place to start is with a brighter bulb. Bulb packages list brightness in lumens, a measure of how much light the bulb produces. A standard one typically produces about 800 to 1,000 lumens; Figueiro recommends looking for one that produces at least 3,000. Place the lamp no more than an arm’s length away, and make sure its shade is translucent, not opaque, so the light can reach your eyes. The bulb doesn’t need to give off cool or bluish light. If you prefer warm light, that’s fine, Figueiro says—the brightness is what matters most.

If a brighter lamp isn’t enough, or you don’t have access to a window, consider a light-therapy box. Zeitzer prefers natural light—“it’s much nicer looking out your window,” he says—but considers a light therapy box a reasonable alternative. Turn it on while you drink your coffee or eat breakfast so it becomes part of your usual routine. 

And don’t assume an overcast morning is too dark to be useful. Most of us underestimate how much brighter it is outside: In one study, researchers found that even under cloudy or partly cloudy skies, outdoor light was dozens of times brighter than indoor light. If you can’t go out, sit close to the window and face it; turning on the room’s other lights can help, too.

Getting enough light in the morning is only part of the equation for better sleep. Figueiro also recommends dimming the lights about two hours before bedtime. Your body clock responds to the contrast between day and night, she says, so too much evening light can “in a way cancel out the benefits of the morning light.”

Think of the formula as brighter mornings and darker evenings. Tomorrow, you can start by turning your coffee—and yourself—toward the window.